The Modern Invention of Medieval Music : Scholarship, Ideology, Performance中世纪音乐的现代发现 夸克云 txt pdf umd tct 百度云 kindle 下载

Medieval music has become hugely popular. But it is largely a modern invention. Scholars and performers of the nineteenth and twentieth centuries hoped to bring back to life music that could evoke the Middle Ages. Yet all the time they were inventing new sounds and new ways of understanding how the music worked. The story of the reinvention of medieval music is told here for the first time.--a story of individuals, the societies in which they worked, their tastes and beliefs, all interacting to remake a lost musical world.

Acknowledgements

Introduction

1 The invention of the voices-and-instruments hypothesis

2 The re-invention of the a cappella hypothesis

3 Hearing medieval harmonies

4 Evidence ,interpreataion,power and persuasion

Conclusion

Notes

Bibliography

Index

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作者介绍：Daniel Leech-Wilkinson

　　Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.

书籍介绍

Medieval music has become hugely popular. But it is largely a modern invention. Scholars and performers of the nineteenth and twentieth centuries hoped to bring back to life music that could evoke the Middle Ages. Yet all the time they were inventing new sounds and new ways of understanding how the music worked. The story of the reinvention of medieval music is told here for the first time.--a story of individuals, the societies in which they worked, their tastes and beliefs, all interacting to remake a lost musical world.